When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. United by the theme of love, the writings in the Great Loves series span over two thousand years and vastly different worlds. Readers will be introduced to love's endlessly fascinating possibilities and extremities: romantic love, platonic love, erotic love, gay love, virginal love, adulterous love, parental love, filial love, nostalgic love, unrequited love, illicit love, not to mention lost love, twisted and obsessional love...

'So the club rose, the blood came down, and his bitterness and his anguish and his guilt were compounded' Drawing on Baldwin's own experiences of prejudice in an America violently divided by race, these searing essays - Dark Days, The Price of the Ticket and The White Man's Guilt - blend the intensely personal with the political to envisage a better world. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Considered an 'audacious' second novel, Giovanni's Room is set in the 1950s Paris of American expatriates, liaisons, and violence. This now-classic story of a fated love triangle explores, with uncompromising clarity, the conflicts between desire, conventional morality and sexual identity.

"Mountain," Baldwin said, "is the book I had to write if I was ever going to write anything else." Go Tell It On The Mountain, first published in 1953, is Baldwin's first major work, a novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves.

'This is the work of a born storyteller at the height of his powers' Edmund White, Washington Post When Arthur Montana, world-renowned 'Emperor of Soul', is found dead in a London pub, his grief-stricken brother looks back over thirty years in the lives of their group of friends: from their childhood spent preaching and singing in Harlem churches, to their struggles with war and poverty, and their encounters with wealth, love and fame. Set against a vividly drawn background of the civil rights movement of the sixties, Baldwin's last novel is a monumental saga that ranges from New York to Paris, Korea to Africa to portray how profoundly racial politics can shape life, especially in the private business of love. 'Warm, melancholy . . . Hall Montana's voice is the conduit for Baldwin's most distinctive quality as a writer, his abundant tenderness' The New York Times

The inspiration for the new film from Oscar award-winning director Barry Jenkins 'Achingly beautiful' Guardian Harlem, the black soul of New York City, in the era of Aretha Franklin and Ray Charles. The narrator of Baldwin's novel is Tish nineteen, and pregnant. Her lover Fonny, father of her child, is in jail accused of rape. Flashbacks from their love affair are woven into the compelling struggle of two families to win justice for Fonny. To this love story James Baldwin brings a spare and impassioned intensity, charging it with universal resonance and power. 'If Beale Street Could Talk affirms not only love between a man and a woman, but love of a type that is dealt with only rarely in contemporary fiction - that between members of a family' Joyce Carol Oates

Set in the 1950s Paris of American expatriates, liaisons, and violence, a young man finds himself caught between desire and conventional morality. With a sharp, probing imagination, James Baldwin's now-classic narrative delves into the mystery of loving and creates a moving, highly controversial story of death and passion that reveals the unspoken complexities of the human heart.

'The story of the negro in America is the story of America ... it is not a very pretty story' James Baldwin's breakthrough essay collection made him the voice of his generation. Ranging over Harlem in the 1940s, movies, novels, his preacher father and his experiences of Paris, they capture the complexity of black life at the dawn of the civil rights movement with effervescent wit and prophetic wisdom. 'A classic ... In a divided America, James Baldwin's fiery critiques reverberate anew' Washington Post 'Edgy and provocative, entertainingly satirical' Robert McCrum, Guardian 'Cemented his reputation as a cultural seer ... Notes of a Native Son endures as his defining work, and his greatest' Time

Since it was first published, this famous study of the Black Problem in America has become a classic. Powerful, haunting and prophetic, it sounds a clarion warning to the world.

"Nothing but the darkness, and all around them destruction, and before them nothing but the fire--a bastard people, far from God, singing and crying in the wilderness!"

First published in 1953, Baldwin's first novel is a short but intense, semi-autobiographical exploration of the troubled life of the Grimes family in Harlem during the Depression.

Published in 1962, this is an emotionally intense novel of love, hatred, race and liberal America in the 1960s. Set in Greenwhich Village, Harlem and France, Another Country tells the story of the suicide of jazz-musician Rufus Scott and the friends who search for an understanding of his life and death, discovering uncomfortable truths about themselves along the way.

James Baldwin was a uniquely prophetic voice in American letters. His brilliant and provocative essays made him the literary voice of the Civil Rights Era, and they continue to speak with powerful urgency to us today, whether in the swirling debate over the Black Lives Matter movement or in the words of Raoul Peck's documentary "I Am Not Your Negro." Edited by Nobel laureate Toni Morrison, the Library of America's Collected Essays is the most comprehensive gathering of Baldwin's nonfiction ever published. With burning passion and jabbing, epigrammatic wit, Baldwin fearlessly articulated issues of race and democracy and American identity in such famous essays as "The Harlem Ghetto," "Everybody's Protest Novel," "Many Thousands Gone," and "Stranger in the Village." Here are the complete texts of his early landmark collections, Notes of a Native Son (1955) and Nobody Knows My Name (1961), which established him as an essential intellectual voice of his time, fusing in unique fashion the personal, the literary, and the political. "One writes," he stated, "out of one thing only--one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give." With singular eloquence and unblinking sharpness of observation he lived up to his credo: "I want to be an honest man and a good writer." The classic The Fire Next Time (1963), perhaps the most influential of his writings, is his most penetrating analysis of America's racial divide and an impassioned call to "end the racial nightmare...and change the history of the world." The later volumes No Name in the Street (1972) and The Devil Finds Work (1976) chart his continuing response to the social and political turbulence of his era and include his remarkable works of film criticism. A further 36 essays--nine of them previously uncollected--include some of Baldwin's earliest published writings, as well as revealing later insights into the language of Shakespeare, the poetry of Langston Hughes, and the music of Earl Hines. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In this tender, impassioned fourth novel, James Baldwin created one of his most striking characters: a man struggling to become himself. 'Everyone wishes to be loved, but in the event, nearly no one can bear it' At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, we see the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the world of the theatre lies a wilderness of desire and loss, shame and rage. And everywhere there is the anguish of being black in a society that seems poised on the brink of racial war. In this tender, angry 1968 novel, James Baldwin created one of his most striking characters: a man struggling to become himself. 'The emotion surrounding family attachment... is deeply felt and is one reasons he continues to be read with such intensity' Colm Toibin

Richard Wright's Native Son, Hollywood's Carmen Jones, boyhood in Harlem, the death of his father, recovery and self-discovery as a black American in Paris - these are some of the themes in this collection of James Baldwin's early essays.

A collection of awe-inspiring stories from Finnish mythology, this treasury was assembled by educator James Baldwin, who specialized in adapting ancient narratives into captivating prose. Drawn from the oral traditions of the Finnish national epic, the Kalevala, these 38 entrancing tales are appropriate for all ages. 4 illustrations by N. C. Wyeth.

The stark grief of a brother mourning a brother opens this novel with a stunning, unforgettable experience.  Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work.  Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin's early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two "letters," written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as "sermon, ultimatum, confession, deposition, testament, and chronicle...all presented in searing, brilliant prose," The Fire Next Time stands as a classic of our literature.

In this honest and stunning novel, James Baldwin has given America a moving story of love in the face of injustice. Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.

Novelist, essayist, and public intellectual James Baldwin was one of the most brilliant and provocative literary figures of the postwar era, and one of the greatest African-American writers of this century. "Early Novels and Stories" presents the novels and short stories that established Baldwin's reputation as a writer who fused unblinking realism with rare verbal eloquence. This volume includes his first novel, "Go Tell It on the Mountain" (1953), "Giovanni's Room" (1956), and other early works.

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as" In the Heat of the Night," "Guess Who's Coming to Dinner," and "The Exorcist." Here are our loves and hates, biases and cruelties, fears and ignorance reflected by the films that have entertained us and shaped our consciousness. And here too is the stunning prose of a writer whose passion never diminished his struggle for equality, justice, and social change.

A new edition of the book many have called James Baldwin's most influential work
Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in "Notes of a Native Son "capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in "The Harlem Ghetto" to a sobering "Journey to Atlanta."
"Notes of a Native Son" inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise.
"Notes" is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American.